How did Kurt become who he was? Why was he never elected class monitor? When did Arne come into the picture? And what happened when this dynamic duo did their military service? And Gudrun, who does she really like best? You'll find the answers in the film about Kurtan. Kurtan seems to have his fingers in everything... from the shipyard crisis to the switch to right-hand traffic... and somehow everything seems to go wrong...

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Satya, the son of a priest, leads a straightforward life until he meets the girl of his dreams. His love for her drags him into the world of crime, making him lose everyone he is close to.

Om 　　(1986) 4 mins. Colour. Sound. 16mm. 　　"This four minute film explores our response to stereotypes - aural, visual and ideological. Smith signals these stereotypes to the viewer through a chiefly associational system, which deftly manipulates the path of our expectations. The structure is stunningly simple and deceptively subtle. We are taken on a journey from one concrete stereotype to its diametric opposite, as images transform and juxtapose to, ultimately, invert our interpretation of what we see and hear." Gary Davis. 　　"This is hardcore cinema." Peter Kubelka, ‘What is Film’ lecture series, London 2001.

Set against the backdrop of a NYC heatwave, OM reveals the inner most thoughts that bombard a group of yoga students during their session while exploring the split decisions we make in life - as their worlds collide, the final bell rings.

Om 　　(1986) 4 mins. Colour. Sound. 16mm. 　　"This four minute film explores our response to stereotypes - aural, visual and ideological. Smith signals these stereotypes to the viewer through a chiefly associational system, which deftly manipulates the path of our expectations. The structure is stunningly simple and deceptively subtle. We are taken on a journey from one concrete stereotype to its diametric opposite, as images transform and juxtapose to, ultimately, invert our interpretation of what we see and hear." Gary Davis. 　　"This is hardcore cinema." Peter Kubelka, ‘What is Film’ lecture series, London 2001.

A young alcoholic woman agrees to attend an AA meeting with her partner. When she unexpectedly runs into her estranged mother, she's forced to confront demons from her past.

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Whilst driving, a woman attempts to reconcile with her past and the scars it left behind.

Whilst driving, a woman attempts to reconcile with her past and the scars it left behind.